Reinventing the Western
Quentin Tarantino’s last film, Inglorious Basterds, walked a precarious line. Set in World War Two Europe, it dealt with very serious matters — the genocide of the Jews — but in Tarantino’s inimitable way: at least as much about movies as about history, very violent, very funny. It could have been a distasteful monstrosity. But to my mind it was a brilliant tour de force, with a delirious and unexpected climax that in fact was very thought-provoking. Django Unchained sets out to pull off the same trick but this time about slavery in America. Does it succeed? Django (Jamie Foxx) is a black...