Art

Learning from the mural row

Submitted by SJW on 10 April, 2018 - 7:46 Author: Matt Cooper
Antisemitism spider

In the recent furore about antisemitism on the left triggered by the uncovering of Jeremy Corbyn’s 2012 defence of Kalen Ockerman’s mural Freedom for Humanity, much of the coverage found it unnecessary to explain the nature of the mural’s antisemitism.

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The responsibility that comes with seeing

Submitted by Matthew on 12 April, 2017 - 11:39 Author: Pat Yarker

Pat Yarker reviews Incoming, free at The Curve, Barbican, London, until 23 April.


Hundreds of thousands of people continue to flee war and persecution in the Middle East and northern Africa. Thousands die as they attempt to find safety in Europe. This installation, an artwork not a documentary, comprises almost an hour of video footage of migrants and refugees making their perilous journey.

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Autocollants: the public face of the activist

Submitted by cathy n on 2 December, 2014 - 7:08 Author: Beth Redmond

Workers' Liberty has produced a set autocollants (political stickers, widely used in other countries but not until now in Britain: see here)

In his book on autocollants, Zvonimir Novak argues that in France, progressively over the last 40 years, the autocollant has become the “means of expression of those who do not have access to the mainstream media”.

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The gothic reaction to industrial capitalism

Submitted by AWL on 11 November, 2014 - 5:41 Author: Luke Hardy

What have Karl Marx, Dracula, a modern robotic production line and St Pancras station got in common? According to Andrew Dixon they all have more then a touch of the gothic about them.

In this three part series, Dixon makes a convincing and fascinating case that the gothic sensibility has become a way of responding to and critiquing industrial capitalism and the urbanism, technology and pollution that comes with it.

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Between art and activism

Submitted by AWL on 7 October, 2014 - 6:31 Author: Luke Neal

As the Labour and Conservative parties staged their annual conferences, an exhibition entitled Politika: Art & the Affairs of the City was staged in a former cotton mill in Ancoats, Manchester.

Curated by the “insurgent art activist” collective Upper Space, 20 artists put on a programme of workshops, speakers and activities “to generate starting points for an answer, another view, in order to to sustain another ideology against consumerism and the disempowerment that it represents”.

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