Building the revolution
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I bought tickets back in November for the “Building the revolution” show at the Royal Academy and was given a 10 am admission time.
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I bought tickets back in November for the “Building the revolution” show at the Royal Academy and was given a 10 am admission time.
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Lawrie Coombs applauds the work of Newcastle’s Side Gallery
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Whatever the vagaries of his political positions and assessments since the early 50s (including a softness on the Stalinist regimes, a huge silence about the Nazi death camps, and a disposition to support essentially feudal resistance movements to capital) John Berger remains an important resource in thinking about the nature of oppression and its relationship to art.
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Martin Thomas reviews "Europe without America", by John Palmer.
Clive Bradley reviews "Revolutionary Rehearsals", published by the SWP's Bookmarks.
Stan Crooke reviews "Ireland, the case for British disengagement", by Conor Foley.
Neil Stonelake reviews "Community Architecture", by Nick Wates and Charles Knevvit.
Belinda Weaver reviews "State of the Art", by Pauline Kael.
Rhodri Evans reviews "Mammon and the Pursuit of Empire: the Political Economy of British Imperialism, 1860-1912", by Lance Davis, Robert Huttenback, and Susan Gray Davis.
Gerry Bates reviews "Leninism Under Lenin", by Marcel Liebman.
Bryan Edmands reviews "Thank you, Mr Moto", by John P Marquand.
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Alexander Rodchenko, having achieved international acclaim as an avant-garde painter, sculptor and graphic designer, took up the cause of photography in 1924 with novel and thrilling results.
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The Arts Against Cuts collective is a group of students, lecturers, artists, cultural workers and those interested in creative resistance, organising in a non-hierarchical structure against both the cuts and the ever increasing use of the arts and culture as a tool of ideological and political control.
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Workers' Liberty 14 Forum section
How not to fight the poll tax; Trotsky on Zionism; Hitler, Stalin, and art.
A symposium on the nature of the Stalinist states: Martin Thomas; Stan Crooke; Duncan Chapple, Pete Keenlyside, and others; Sean Matgamna.
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Most interested Westerners hold the idea that art is 'free', a metter for the artist expressing him or herself without restrictions.
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We were discussing taking some kind of radical direct action for a long time before we went into occupation.